Gen X
Meets Tikbalang
Interview by Lourd de Veyra
FLY Magazine issue no. 10 - 4th quarter 1999
U.P. Fine Arts Graduate Arnold Arre used to work for several advertising
agencies, until he finally realized that he was destined to work on comic books
instead of ads and storyboards. AGE OF THE VALKYRIE, one of his earlier
efforts, generated a lot of hate mail from whom he suspects as feminists. Arre
continues to illustrate Alamat's BATCH72, and has contributed to magazines like
Folio and Agenda. He is also the animator of MTV Asia's now defunct CHITO CHAT.
What makes him different
from his comic book artist contemporaries is Arnold Arre's focus. In a genre
populated by Western-styled characters with supernatural powers who talk with a
Brooklyn twang, Arre exercised his freedom of choice by making use of our own
homegrown myths and legends. He combined modern sensibilities and creates
characters based on actual people (mostly friends) where his sense of humor gets
the better of him as he weaves them all into a high engaging storyline. Check
out THE MYTHOLOGY CLASS, a multi-part series about a motley group of restlessly
curious college students who suddenly find themselves thrust into the world of
enkantos, tikbalangs, Ibalon warriors, diwatas, and other fascinating creatures
from Philippine folklore. "I was interested in the idea of how something
like a Tikbalang would react if he sees flyovers," he explains.
Considered as his most
personal work to date, THE MYTHOLOGY CLASS was started in August of 1997 and
finished in July '98, ending up with 326 plus pages. If only for the audacity
to weave Gen X with the elements of Philippine myths and legends, the man and
his work deserve significant notice.
WHAT WOULD YOU HAVE BEEN IF
YOU WEREN'T A COMIC BOOK ARTIST?
Probably a filmmaker
(but considering the state of the local industry right now, I'm damn glad I'm
not.)
WHAT CHANGED YOUR MIND
ABOUT YOUR CAREER PATHS?
An autumn day in Germany
staring out the window and suddenly realizing that the only thing I want to do
in this planet is to tell stories.
WHAT DO YOU CONSIDER THE
MOST INFLUENTIAL COMIC BOOKS OF ALL TIME?
Arzach Tales; War
Machine; Starwatcher series; the Dark Knight Returns (damn good book!); Silver
Surfer "Parables". I derive my artistic inspiration from: the stories
I've read, the people I've known, the places I've been to, the experiences I've
been through.
WHAT IS THE CRAZIEST THING
YOU HAVE EVER DONE?
Craziest thing I've ever
done and swear to God I'll never do it again: Completely passing up on an
opportunity to work on a major comic book company and all because of love.
WHAT WAS THE IMPETUS FOR
"THE MYTHOLOGY CLASS"?
I would say cultural
interests an evening of reminiscing my college days (it was one of those
sleepless nights and before I knew it, I was writing and drawing the entire
book)
WHAT DO YOU LISTEN TO WHEN
YOU WORK?
When I work, I listen to
these CDs/artists: for jazz/pop: Sting, Incognito, Brand New heavies, Swing Out
Sister, S-tone Inc. and Kevyn Lettau. For techno: the Chemical Brothers,
Orbital, the Prodigy, and Fatboy Slim. For industrial: Ministry, KMFDM, Fear
Factory. For classical: Tchaikovsky (probably the most underrated musical
genius).
IF THESE COMIC BOOK
CHARACTERS HAD BEEN REAL PEOPLE WHO WOULD YOU HANG OUT WITH?
Arzach, Druuna, and
Dagger.
IF YOU WERE FREE TO CHOOSE,
WHAT WOULD YOU LIKE TO WORK ON?
My dream project (comic
book) is: To make a feature length film and do a comic book adaptation of Allan
Lightman's "Einstein's Dreams".